Originally from Iowa City, IA, recently relocated to Fort Collins, CO, Eufórquestra has been touring more than ever and is continuing to take its cutting edge music in different directions. Their self-proclaimed “Afro-Caribbean-Barnyard-Funk” brings a rhythmic wall of sound, integrating such genres as Afrobeat, Reggae, Afro-Cuban, Samba, Soca, Funk, Salsa, and Dub. This is music that ignites dance floors across the country with a sound that “explodes, dances and melts in your ear with sheer bliss” (Chris M. Slawecki; www.allaboutjazz.com).
With two full-length albums to their name and a relentless tour schedule (over 300 shows in the last two and a half years), the 7-piece band has become one of the hottest bands on Colorado’s live music circuit and has created a national presence with performances all over the U.S. at clubs, concert halls, community events, and festivals, including Wakarusa (Lawrence, KS and Ozark, AR), moe. Summer Camp (Chillicothe, IL), 80/35 (Des Moines, IA), Sweet Pea Festival (Bozeman, MT), NedFest (Nederland, CO), Groovefest (Cedar City, UT), Montana Beer Festival (Bozeman, MT), and the Iowa City Jazz Festival.
In July 2006, an original Eufórquestra song , “Ochun,” from the group’s second studio album Explorations In Afrobeat, was selected for Global Rhythm Magazine’s monthly compilation disc. In early 2008, Eufórquestra was asked to collaborate with an all-star lineup including Page McConnell (Phish), Russell Batiste (Funky Meters, PBS), Reed Mathis (Jacob Fred Jazz Odyssey, Teal Leaf Green) and Papa Mali at the Big Easy Blowout, a three-day tour of shows across Colorado’s Front Range, benefiting the New Orleans Musicians’ Clinic and the Tipitina’s Foundation.
With great expectations, 2009 promises to be an exciting year for Eufórquestra, as the group prepares to release a highly anticipated third studio album (recorded at Backbone Studios in Loveland, CO, www.backbonestudio.com). This project brings Eufórquestra’s sound to soaring new heights with a collection of songs that captures a band in peak performance in terms of songwriting, arranging and energy.
Afrobeat cannot stand still. As the genre’s tempting sounds continue a resurgence across the globe, Chicago Afrobeat Project (CAbP) remains true to its original vision of breathing the intensity of Chicago’s rich music scene into the infectious sounds of afrobeat. Rather than become caricatures of the genre, CAbP slips a reverent nod to the tradition while delivering an energized originality different from any other band on the afrobeat scene today. At each of its 100+ live performances a year, the group’s frenzied songs hit audiences with a big enough one-two punch to tirelessly knock them onto the dance floor time and time again.
Afrobeat’s range of influences — funk, rock, jazz, afro-cuban, high life and juju music – settle into a hypnotic, dance-compelling pulse at the core of CAbP. The group layers a fiery originality around this core through high-energy rock and experimental jazz. The trance-like grooves that hold the floor in the tradition are pushed to new borders in CAbP’s second and self-produced album, (A) Move to Silent Unrest. In it, the group keeps true to the mix of respect to the tradition and forward-thinking experimentation that shine through in their live performances.
The individual players, coming from diverse backgrounds, each hold their own as soloists that ultimately characterize the live shows. Melodic and hard-hitting horn lines create a lyrical flow to the music, delivered by a cutting, driven rhythm section dynamic. Complex call-and-response percussion songs are dispersed throughout the performances. At select shows, African dancers from Chicago’s Muntu Dance Theatre accompany the band. Added up, the music is packaged with original songwriting that explores the stylistic reaches of afrobeat and a few classic covers delivered true to form.
The group currently performs across the country from coast to coast with notable festival dates including Bele Chere Music Festvial (2005, 2006) Wakarusa Music Festival (2006), Chicago World Music Festival (2003, 2006), Vassar College Jazz Festival (2005, 2006), Summer Camp (2005, 2007), Chicago’s Summer Dance Series (2005, 2007), and High Sierra Music Festival (2007).
CAbP was nominated as Best African Artist in the Chicago Music Awards (CMA) in 2004 and 2005, and was nominated for the CMA’s “Award of Honor for Contribution to World Beat Music” in 2006. As a natural extension of the group’s ability to connect diverse musical styles through afrobeat, CAbP has featured many notable Chicago guest musicians such as Howard Levy of Bela Fleck fame, Fareed Haque of Garaj Mahal, seven-time Grammy-winner Paul Wertico, Bobby Broom, Jeff Parker of Tortoise, Kalyan Pathak, Diverse, Ugochi, Morikeba Kouyate and many other Chicago greats.