I was one of millions that bought "Tomorrow the Green Grass" by the Jayhawks - and have enjoyed listening to it for well over 10 years now. This album is really great and includes a bunch of songs that I think are the most beautiful I know - great vocal harmonies, wonderful lyrics and really nice melodies. The Jayhawks were/are popular for good reason.

For myself, though, I never got to see the Jayhawks perform. I came close a few years ago when the band appeared at Luther's Blues. But, I thought I'd just buy tickets at the door. Well, as you've no doubt guessed, the show was sold out and there were no tix to be had. Always a big disappointment! (So for God's sake, buy your tix in advance whenever you possibly can... You'll save money too.)

So last August, I took advantage of the opportunity to catch at least half of the founding duo - Mark Olson - when he appeared at High Noon Saloon. I really enjoyed the performance and bought his most recent recording there – Salvation Blues. This recording includes performances by some of LA's best session musicians, including a reunion with Gary Louris, who provides harmonies on three songs.

Mark Olson is returning to Madison on February 12, 2008 with his bandmates - Ingunn Ringvold from Norway and Michele Gazich from Italy. They are performing at Café Montmarte. Buy your tickets [here].

I recently had the chance to ask Mark a few questions by email. Here are his responses::

You co-founded the Jayhawks with Gary Louris in 1985, and are among the "instigators" of what's now recognized as alt-country. What was your early musical journey like and who were the musicians that inspired you?
Bob Dylan, Gram Parsons. I started writing songs after high school, but feel like the real first songs were on the Jayhawks' 'Blue Earth' album. Recently, I've been listening to more English folk.

Tell me about your decision to quit the Jayhawks in 1995 - just after the band hit big with "Tomorrow the Green Grass"? What was happening for you during that period?
I bought my first house - a run down shack in Joshua Tree, and felt burnt on the organization level of the group. Nothing to do with the members of the band - more management goals, etc., so I took a break and started touring with The Creekdippers in Europe over the next few years.

I understand that you went through a rough patch a few years back, and spent the next two years tramping in Europe – out of which came The Salvation Blues. What did you learn about yourself while you were recovering in Europe?
A rough patch is my favorite way of putting it. I learned to appreciate what I have and not chase so many far out rainbows - just ones that are in reach.

It seems that songwriting and performing are very nourishing for you. Does songwriting help you find insight, or do you wait for inspiration before you compose?
It gives me a sense of purpose. There are 3 elements - words, music, and tempo - so it's a neverending learning and crafting experience.

You and Gary share writing credit on so many great songs. How did you approach songwriting together?
For a while it was like a collage where we would bring ideas and put them together and tie everything in if there were some loose ends.

How did you meet your friend and fellow musician Michele Gazich?
He is an interesting person, always with a good word or knowledge about something. I met him while touring in Italy, at a festival 7 years ago - he was playing with Michele Shocked.

It sounds like your European tour was a great success. Did it feel like a triumphant return?
How are you still enjoying the tour?
Europe went well. We played every night. When that is going on, most thoughts center around getting to the show and health, rest issues along with the excitement of performing.

The Salvation Blues, was recorded in 3 days – and includes quite a roster of all-star session musicians.
How would you describe the atmosphere and energy of your recording sessions?
I was somewhat nervous, but it came together fine after the first song. Everyone played great and there was a good vibe.

Do you have a song from your catalogue that you most love? What feelings does it inspire in you?
"Clifton Bridge," because it flows well and has a real dramatic feel. [Ed. note: "Great song!"]

What music are you listening to these days?
Today, the Watersons and Levon Helm. I also like the Snow album by Howe Gelb.

To my knowledge your most recent CD package was unique. I like every aspect of it, and think it's a perfect example of providing added value to the purchase of a physical copy! What are the pros/cons of the digital music revolution from the perspective of your career today?
Well, I'll just say from a musician's perspective, records were better.

Finally, are you managing to keep hope in your heart?
Oh sure! I have a lot of interests that keep me moving.

For more background on the legendary Jayhawks, see this great entry from wikipedia.

I hope to see you at the MoMo! - Mister Bill

Photos by Karen Miller

To listen to some of Mark Olson's music, [click here] to launch a short playlist.